Was Pinocchio Really a Puppet? The Art of Puppets, Marionettes, and Puppetry Relatives

Was Pinocchio really a puppet? In Italian language and theatre history, the distinction between burattini (hand glove puppets controlled from below) and marionette (string or wire marionettes controlled from above) reveals a fascinating cultural journey.

While Carlo Collodi called Pinocchio a burattino, the wooden boy who moves without strings belongs to the broader universe of animation theatre. From medieval court jesters’ marottes to Sicilian pupi with iron control rods, Italian puppetry masters developed a universal language of satire, enchantment, and popular storytelling that continues to captivate audiences of all ages.

Curated by Fulvia Marai (Fulvia BUdiBÀ).

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